Prey (2017) reimagines the future not as cold chrome and neon but as opulent Art Deco decay. Arkane Studios dressed the orbital Talos I station in 1920s–30s geometry — stepped ziggurats, sunbursts, winged-lion motifs — rendered in retrofuture brass, walnut, and oxblood leather. Warm gold trim glints against black Typhon ooze, the living shadow slowly consuming every gilded surface. The result is luxurious horror: deco grandeur being eaten alive.
《掠食》（Prey, 2017）拒绝冰冷的霓虹赛博未来，转而想象一种华丽腐朽的「新装饰艺术」未来。 Arkane 工作室将轨道空间站 Talos I 装点成 1920–30 年代的装饰艺术世界——阶梯金字塔、旭日纹、 带翼狮像，以复古黄铜、胡桃木与牛血红皮革呈现。暖金描边在黑色 Typhon 黏液中闪烁，那活着的暗影 正缓缓吞噬每一寸镀金表面。最终呈现的是一种奢华的恐怖：装饰艺术的辉煌正被活生生地吞食。