Claude Monet's half-century of painting — from the misty harbour of *Impression, Sunrise* (1872) to the monumental *Water Lilies* at Giverny — defined Impressionism as the art of capturing transient light on a subject rather than the subject itself. This design system translates his washed-pastel palette, dappled brushstroke textures, and soft garden curves into a warm, editorial interface language suited to cultural storytelling.

The palette draws from Monet's recurring motifs: sunrise pink, wisteria lavender, pond-jade reflections, buttercream light, and sky-blue atmosphere — all rendered at the low-contrast, plein-air softness that distinguishes Impressionism from every other Western painting movement.