Georges Seurat's pointillism was the moment painting tried to become physics. Every Impressionist's loose stroke was reduced to a deliberate array of same-size colored dots, calculated so the viewer's eye performs the optical mixing at standing distance.

The result is a 2m × 3m field of millions of dots — spring-green beside magenta-pink, lilac beside gold-cream — figures rendered as crisp profile silhouettes against the dot-field. Methodical, mathematical, theoretical. The Sunday afternoon feels frozen and timeless, not spontaneous.