Massimo Vignelli Helvetica-ized New York. From the 1970 Subway map to the American Airlines eagle, his work proved that one typeface, a handful of saturated colors, and an unshakeable grid could unify an entire metropolis. This system distills that conviction into a digital toolkit — sharp corners, bold route-stripe accents, and relentless typographic clarity.

Everything here descends from the Vignelli Canon: semantic clarity, visual power, intellectual elegance. No decoration, no radius, no shadow. Just structure and color doing all the work.