About Chinese New Year Spring Festival
This is Spring Festival at full volume — not the quiet brush-and-red-paper of doorway couplets, but the night the courtyard fills with glowing lanterns, firecracker smoke, and gold paper-cut zodiac animals pinned to every window. Built dark on purpose: a deep lacquer-black ground so red lanterns actually glow, gold leaf catches light, and sparks read as sparks. Everything is maximal, radially symmetric, and a little rowdy — round lantern shapes, scalloped 窗花 edges, inverted 福 medallions, and sprays of golden sparks. The palette is the trio every household knows: lantern red, imperial gold, and just enough jade for the auspicious green of new spring.
- Origin
- Han Chinese cultural sphere — mainland China, Taiwan, Hong Kong, Singapore, Malaysia, and diaspora
- Era
- Han-antiquity folk custom; modern festival visual language crystallized Ming–Qing (14th–19th c.), continuing today
- Key figures
- Ku Shulan 库淑兰 · Feng Jicai 冯骥才 · Yangliuqing 杨柳青 workshop · Taohuawu 桃花坞 workshop
- Movements
- 年画 New Year woodblock prints · 剪纸 jianzhi paper-cutting · 灯彩 lantern arts · 民间美术 Chinese folk art
Chinese New Year Spring Festival design spec
Colors
Typography
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