The Tour de France's Maillot Jaune is cycling's most-iconic competition identity: a four-jersey color code that turned a 21-stage suffering ritual into a legible, saturated graphic system. Yellow leads the race, green collects sprint points, red polka dots crown the mountains, white marks the best young rider.
This system treats every page like a stage finish: yellow as the dominant signal, green and polka-dot red as supporting jerseys, deep navy as broadcast night sky. It is loud, hierarchical, and unapologetically sporty — built for podiums and time-gap tickers, not for whispering.
环法自行车赛的“黄衫”是全球自行车运动最有辨识度的视觉身份。从 1903 年亨利·德格朗日在《L'Auto》报上发起这场比赛起,到 1919 年首件黄色领骑衫被穿上身,再到后来加入的绿衫(冲刺王)、圆点衫(爬坡王)、白衫(最佳新人),四件颜色编码的赛服把 21 个赛段的苦行变成了一套人人都看得懂的图形语言。
这套设计系统把这种“一眼即懂的赛事身份”搬进界面:饱和的环法黄是主信号,绿衫与圆点红是支撑色,深海军蓝压住夜晚转播画面的底色。它属于终点拱门、计时板、领奖台与比利牛斯山顶的山岳标识,不属于轻声细语。
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