This is the design language of a mid-2000s regional paper company that has no design language — and that deadpan is the whole joke. Modeled on The Office (NBC, 2005), it dresses everything in fluorescent-lit corporate mundanity: copier-white stock, gray cubicle partitions, curling post-its, and one dutiful navy where a logo would go. The humor lives in the flatness. No gradients, no drama — a slightly-too- small warehouse stock photo, a form field printed on a 2004 laser printer. Honest, unglamorous, and quietly hilarious: we sell paper in a business park and we are being filmed for reasons no one has explained.