Superstudio's *Continuous Monument* (1969) is the defining image of Italian radical architecture: an endless white-and-black gridded megastructure collaged over real landscapes. Rendered in deadpan hairline ink on toned archival paper, it reads as a 1969 photolithograph — cool newsprint-gray carrying a fine black isometric grid.

This system distills that silent, infinite grid into an interface language: strict black-on-gray monochrome, hairline rules, isometric panel layouts, and flat Helvetica grotesque captions with no flourish.