Malevich Suprematism

Suprematism is the most radical reduction in early-20th-century art: pure geometric forms — square, circle, cross — on white grounds, declaring representational painting finished. Malevich's 1915 *Black Square* hung in the icon corner at the 0.10 exhibition announced a new absolute.

The palette is doctrinally severe: black, cadmium red, yellow, cobalt blue, and white. No ornament, no narrative, no depth illusion — only the supremacy of pure feeling through geometry.

至上主义是二十世纪初最激进的艺术简化：纯粹几何形体——方块、圆形、十字——置于白色画布之上，宣告再现性绘画的终结。1915年马列维奇在彼得格勒"0.10"展览中将《黑色方块》悬挂于圣像角落，宣告了艺术的新绝对。

色彩体系教条般严苛：纯黑、镉红、镉黄、钴蓝与白色。无装饰、无叙事、无深度幻觉——唯有通过几何传达纯粹感受的至上性。