Khiva Ichan-Kala Majolica

The glazed majolica of Khiva's walled Ichan Kala — the squat, unfinished Kalta Minor minaret of 1855 and the courtyards of the Tash-Khauli palace — clothes entire walls in saturated jade-turquoise tile. Floral mosaic fields scroll in deep cobalt and white linework, glassy under the desert sun.

Cooler and greener than Bukhara's warmer ceramics, the Khorezm palette is a wall of glazed turquoise bloom. This system renders that surface in digital form: jade grounds, cobalt borders, white tracery as line — never as ground.

希瓦古城（伊钱卡拉）的釉面马约利卡瓷砖，覆满未及封顶的卡尔塔米纳尔宣礼塔（始建于1855年）与塔什豪利宫的庭院墙面，是一整面饱和的翡翠—绿松石色瓷海。繁密的花卉马赛克以深钴蓝与白色描线层层卷绕，在沙漠烈日下泛出玻璃般的釉光。

相比布哈拉偏暖的陶艺，花剌子模一带的色调更冷、更绿。本设计系统将这片釉面转译为数字语言：以翡翠青为底，以钴蓝勾边，白色仅作描线与花纹镶嵌，绝不充当背景。整体读来清冷、饱和、随光流转。