The Karakalpaks call their yurt the qara üy — the "black house" — and they mean it literally. Inside, smoke-darkened felt and reed shiy screen hang over a deep madder field, and every soft surface is a named weaving: the esik qas lambrequin over the door, the qizil qur and ak-baskur bands wrapping the lattice, karshin storage bags along the wall.

Colour here is quoted, not chosen: ochre and crimson from tomar glasswort and elaeagnus, mulberry yellow, pistachio green, kok koylek indigo, and undyed wool held back to two hairline stripes. This system keeps that logic — dark ground, horizontal bands of unequal width, ornament packed onto anything that touches the frame, and no lit gallery wall anywhere.