Victor Vasarely's Op Art distills vision into mathematics — a finite alphabet of unit shapes deformed across rigid grids until flat surfaces bulge into spheres or collapse into voids. This design system channels the 1965 Responsive Eye moment: pure black ground, blinding white figures, and electric tangerine and cyan accents that vibrate at the edge of perception.

Every element obeys the grid. No gradients, no shadows, no organic softness — only the precise optical tension between flat color zones and geometric deformation that made Vasarely the father of programmatic visual art.