About Czechoslovak New Wave Cinema
The Czechoslovak New Wave of the 1960s — Věra Chytilová's *Daisies* (1966), Miloš Forman's *Black Peter* — shot high-contrast, grainy black-and-white 35mm in cool desaturated grays. The frame reads as film stock, never pure black, never white.
This system distills that cinema into an interface language: a dark film-frame ground, stark off-white neo-grotesque titling, letterboxed framing, and 35mm grain texture across every surface. Greyscale only — no chroma.
- Origin
- Eastern Europe — Czechoslovakia
- Era
- 1950–1990 (peak Czechoslovak New Wave, 1960s; Daisies 1966)
- Key figures
- Věra Chytilová · Miloš Forman · Jiří Menzel · the FAMU generation
- Movements
- Czechoslovak New Wave (Nová vlna) · 1960s European art cinema
Czechoslovak New Wave Cinema design spec
Colors
Background
Surface
Primary
Secondary
Accent
Text
Typography
Helvetica NeueHeadings
ArchivoBody
Inter TightMono
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