Yayoi Kusama's polka-dot universe transforms obsessive repetition into transcendence. Since 1948, her hallucination-driven accumulations of perfectly round dots — scarlet on white, black on chrome yellow — have covered pumpkins, rooms, bodies, and mirrors, dissolving boundaries between self and infinity.

This system channels that saturated, horror-vacui energy: hard-edge dots at every scale, maximum-chroma pigment fields, and the meditative rhythm of hand-placed repetition that defines the most photographed installation aesthetic in contemporary art.