About Vietnamese Đông Hồ Woodblock关于 Vietnamese Đông Hồ Woodblock
Đông Hồ painting (Tranh Đông Hồ) is Vietnam's folk woodblock-print tradition — 400 years of Lunar New Year wallpaper churned out by Bắc Ninh village workshops, sold for pennies at Tết markets, hung on every village wall. Fat happy roosters, fertility-pigs with piglets, mouse-wedding satires, and Trưng Sisters hero-figures pressed onto pearlescent điệp paper sized with crushed seashell glaze.
The aesthetic is saturated mineral-pigment blocks — vermilion, cobalt, emerald, saffron — bounded by crisp lampblack outlines, with Chinese-character good-wish cartouches floating above. Cheerful, naïve, gently humorous, never reverent. Folk warmth printed cheap and hung for luck.
东胡画（Tranh Đông Hồ）是越南最普及的民间木版年画，发源于北宁省顺城县东胡村，至今已有四百余年历史。每逢春节（Tết），家家户户在墙上贴一张东胡画——肥鸡报晓、母猪带崽、老鼠娶亲、二征夫人骑象——图案吉祥、用色饱满、笔触憨厚，是越南乡村过年最朴素的仪式感。
东胡画的灵魂是「电纸」——用桑皮纸刷一层贝壳粉胶浆，纸面泛着珍珠般的微微闪光。再以朱砂、靛蓝、铜绿、姜黄四色矿物植物颜料分版套印，黑墨勾线压住色块。色彩浓烈不艳俗，造型稚拙不粗糙，主体居中、汉字吉语题首，留白阔气。Curio 将这一民俗版画语言搬上屏幕：贝壳米黄打底，朱红、靛蓝、翠绿、姜黄四色平涂，黑线压边，让数字界面也带一点东胡村作坊的烟火气。
The Vietnamese Đông Hồ Woodblock design system traces back to 15th–17th century origin; peak 1700s–1945; UNESCO emergency safeguarding 2013; contemporary revival ~3 workshop-families Đông Hồ village, Bắc Ninh province, northern Vietnam. Key figures behind it include Nguyễn Đăng Chế, Nguyễn Hữu Sam, Maurice Durand, and Trần Hưng Đạo (subject). It belongs to the Vietnamese Tết folk woodblock, East Asian New Year prints (年画 niánhuà cousin), and UNESCO Intangible Heritage safeguarding movements.
Vietnamese Đông Hồ Woodblock 这套设计系统溯源至 15th–17th century origin; peak 1700s–1945; UNESCO emergency safeguarding 2013; contemporary revival ~3 workshop-families 年的越南北部北宁省东胡村。代表人物包括 Nguyễn Đăng Chế、Nguyễn Hữu Sam、Maurice Durand、Trần Hưng Đạo (subject)。所属流派：Vietnamese Tết folk woodblock、East Asian New Year prints (年画 niánhuà cousin)、UNESCO Intangible Heritage safeguarding。