Nabeul, on Tunisia's Cap Bon peninsula, is the country's pottery capital. Between 1900 and 1950 its workshops produced hand-painted tin-glazed earthenware plates and tiles, dominated by a peacock teal-cyan glaze with white reserve over a fired red-terracotta clay body.
This design system distills that craft into digital form — a warm terracotta ground, deep peacock teal fields, white reserve negative space, and concentric medallion bands divided by thin black lines. Foliage green and ochre yellow punctuate the arabesque fills.
纳布勒位于突尼斯凯利比邦半岛,是这个国家的陶器之都。1900 至 1950 年间,当地作坊烧制手绘锡釉陶盘与瓷砖,以孔雀蓝绿釉色配白色留白,覆于烧制后的红陶坯体之上,成为最具辨识度的风格。
本设计系统将这门手艺转化为数字语言——温暖的赤陶底色、深邃的孔雀蓝绿釉面、白色留白的负空间,以及由纤细黑线分隔的同心圆纹饰带。叶绿与赭黄在阿拉伯式花卉填充中点缀其间,玻璃般的釉光叠于哑光陶缘之上。
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