Rattan & Wicker

Rattan & Wicker draws on the shaded verandahs of Southeast Asia between 1900 and 1950, where honey-golden cane was woven over and under into peacock chairs, settees and screens. The surface is the deep weave itself — warm fiber sitting in green-dappled shade, not a pale off-white.

Tropical palm greens and crisp colonial linen trim play against the caramel rattan, giving an interior that feels handmade, breathable and quietly elegant. It is craft furniture light, translated into a dark, woven digital surface.

「藤与柳」取材自二十世纪上半叶（1900–1950）东南亚殖民地的阴凉廊下。在印度尼西亚、菲律宾与马来亚的 门廊上，蜜糖色的藤条被一上一下编织成孔雀椅、长榻与屏风。这里的主角是编织本身——温暖的纤维静卧在 绿荫斑驳的阴影里，而不是一片苍白的米色。

热带棕榈的青绿与挺括的殖民地亚麻白镶边，与焦糖般的藤色相互映衬，营造出手作、透气而内敛优雅的空间感。 它把藤编家具那份轻盈的手工气质，转译成一片深色、可触的编织数字表面。