Gallery风格库

Burmese Cane Rattan

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Burmese Cane Rattan distills a century of Myanmar wickerwork into a design system: trays and underframes woven from split rattan and kyun bamboo into tight honey-to-walnut lattices, finished over a thitsi resin lacquer ground.

The palette spans honeyed rattan to deep walnut cane, lifted by cinnabar yun-lacquer red (hinthabada) and blackened thitsi. The surface is always a visible woven weave — warm, handmade, and saturated, never a flat or cream fill.

缅甸藤编(Burmese Cane Rattan)将缅甸一个世纪的编织工艺凝练为一套设计系统:托盘与底架以劈开的藤条与缅甸竹(kyun)紧密编织成蜂蜜色至胡桃色的格纹,再覆于一层漆树(thitsi)大漆底之上。

色谱由蜜糖般的藤黄延展至深胡桃藤褐,并以朱砂色的洋(yun)漆红(hinthabada)与乌黑的漆树大漆点亮。表面始终呈现可见的编织肌理——温暖、手作、饱和,绝不使用平涂或米白填充。背景以温润的胡桃编织藤褐为底,朱砂红仅作漆器点缀,乌黑大漆则压住边缘与暗部。

Learn more about the Burmese Cane Rattan style深入了解 Burmese Cane Rattan 风格

  • Origin来源Southeast Asia — Myanmar (Burma); Bagan, Kyaukka, Inle东南亚 — 缅甸(蒲甘、觉卡、茵莱湖)
  • Period年代1900–1950 (Burmese colonial-era wickerwork and yun lacquerware tradition)
  • Designer代表人物Burmese basket-weavers (wa-zaung) · Yun lacquerware artisans · Bagan thitsi lacquer masters
  • Movements所属运动Myanmar wickerwork · Burmese yun lacquerware · Thitsi resin tradition

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