There is no artefact behind this system — only a broadcast colour grade. A night exterior of the Øresund, a bridge span, a harbour edge, pulled down until the shadows lose their saturation and the whole frame settles into cold blue-green.

Thin sans caps fade up over the image, small and widely tracked, sitting low and flush left with a great deal of empty sky above them. They hold for a beat, then dissolve. Everything else — rules, plates, buttons — is a hairline drawn on that same graded dark.