Le Corbusier's Purist White is architecture as a precise white argument. Villa Savoye (Poissy, 1928–31) sets the grammar: a clean white box lifted on pilotis, wrapped by a horizontal ribbon window, crowned with a roof garden. White render is the canvas; the drama lives in the Five Points, the ramp, and the rare slap of Purist primary colour against all that light.

This system distills that machine-for-living into a digital language — cool render-white grounds, structural slate-black, an orthogonal grid with ribbon-window bands and pilotis rhythm, and flat shadow-light planes. Primary colours stay rare. It is rational, geometric, and anti-decorative by conviction.