The Indonesian peacock chair — handwoven in the rattan workshops of Cirebon — became a mid-century and 1970s boho icon: honeyed natural cane bent into a towering fan back, its surface a lattice of fan and spiral weaves under clear varnish. The cane itself is the ground, a saturated golden-brown wood tone that glows warm, never pale.

This design system distills that material into digital form — a honey-caramel ground, caramel-to-straw weave strands, dark binding-cane accents, and friendly humanist sans type. Everything reads handmade, warm, and organic, like running a hand across woven rattan.