Poland lost its ports in 1920 and built a new one on empty ground. Within a decade the fishing village of Gdynia was a city of streamlined white blocks standing on black granite, with ribbon balconies, rounded corners and portholes — buildings that read as ocean liners moored along a street.

This system takes that discipline literally. A near-white plaster page, naval blue for every mark that carries meaning, a heavy dark base under each surface, and hard-edged shadow as the only depth. Nothing decorates; light and shade do the work, exactly as they did on 10 Lutego.