About Demolition Man
Demolition Man (1993) imagined San Angeles 2032 as an engineered utopia — a sterile, gleaming civic interior of glass curves in pastel cyan and peach over polished chrome and white. Crime is gone, profanity is fined, and every surface beams with airless wholesomeness.
This design system distills that "Taco-Bell-clean" future: pale cyan grounds, sanitized teal accents, rounded civic signage, and the faint unease of a world too bright to trust. Everything is curved, spacious, and pointedly friendly.
- Origin
- North America (US production; Pacific Design Center, Los Angeles)
- Era
- 1993 film (its near-future is San Angeles, 2032)
- Key figures
- Marco Brambilla · David L. Snyder
- Movements
- Sanitized retro-future utopianism · 1990s glass-and-chrome civic modernism
Demolition Man design spec
Colors
Background
Surface
Primary
Secondary
Accent
Text
Typography
QuicksandHeadings
NunitoBody
Varela RoundMono
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