Cooper Black is Oswald Cooper's 1922 ultra-bold rounded serif — fat strokes, near-closed bowls, teardrop terminals — a face built to shout softly. It found its second life on late-60s and 70s record gatefolds, where burnt-orange lettering sat over deep, earthy chipboard stock. This system rebuilds that sleeve: a dark kraft-toned ground, oversized soft display words, and warm halftone ink. It reads like a Pet Sounds jacket, not a corporate deck — every panel is a piece of printed cardboard.