Stećci are medieval monumental tombstones — 70,000 carved limestone slabs scattered across the Western Balkans from the 12th to 16th centuries. Crescent moons, sun-discs, kolo-dance rings, stags and vines cut in low relief mark the graves of nobles, soldiers, and shepherds of the Bosnian Church. Their weathered surfaces carry inscriptions in bosančica, a Bosnian Cyrillic script.
This design system translates the Radimlja necropolis at dusk: pale mottled limestone as ground, lichen-green for living surfaces, deep carved-shadow umber for inscription and weight. Typography sets Cinzel small-caps against EB Garamond serifs — stone-inscription authority paired with readable warmth. Every card is a stećak face-panel; every divider a kolo-ring.
斯特恰克（Stećci）是波斯尼亚中世纪巨型墓碑——12至16世纪间，七万余块石灰岩板散落在西巴尔干的山间草甸上。新月、太阳盘、科洛舞环、牡鹿与藤蔓以浅浮雕刻入石面，标记波斯尼亚教会贵族、士兵和牧人的长眠之地。风化六百年后的石面纹理、苔藓绿与阴刻深褐，构成这套设计系统的底色。
视觉上它是黄昏时分的拉迪姆利亚墓地：暖灰石灰岩为底，苔藓绿为主色，深褐阴影为铭刻墨色。Cinzel 大写字母仿石刻铭文，EB Garamond 衬线体承载正文。每一张卡片都是一块墓碑正面，每一条分隔线都是一圈科洛舞者。