Dhaka's cycle-rickshaw fleet is a rolling folk-art gallery — each back panel a 60×80 cm explosion of fire-engine red, sunshine yellow, and cobalt blue depicting film stars, mosques, tigers, and political slogans. This design system channels that saturated, hand-painted energy into digital interfaces. Studios in Old Dhaka produce hundreds of panels weekly, proving that maximalist colour and hand-lettered type can coexist with clarity. The palette screams from a traffic jam; the layout borrows the panel's centred composition and ornamental ribbon borders.