Afrobeats Lagos is the visual charge of Nigeria's global pop wave — Burna Boy stadium swagger, Rema and Mavin cover art, the Alté underground. Fluorescent green burns against deep black, electric yellow and acid lime cut diagonals across the frame, and oversized condensed type behaves like a street poster pasted three layers deep.

The mood is youthful, confident, and kinetic. Photo and type collide at the edges, glow bleeds off the headline, and nothing whispers. This is modern Naija pop graphics — not folk pattern, not muted heritage — built to look loud on a phone screen at night.