The Zagreb School of animated films turned scarcity into style. From the mid-1950s, animators at Zagreb Film in socialist Yugoslavia embraced UPA-style "reduced animation" — flat, witty, modernist figures drawn in single-weight line, filled with hot-orange and avocado color flats, and set on graphic card-stock fields.

This system distills that silkscreen-jazz-poster spirit: a cool card-white ground, no shading or gradients, bold poster type, and playful asymmetric layouts where one charged flat color does all the talking.