Neon Genesis Evangelion

Neon Genesis Evangelion is the 1995 mecha-anime that fused giant-robot spectacle with existential dread. Hideaki Anno's series gave us NERV's tech-green UI grids, EVA-01's saturated red-orange armor, and Tokyo-3's deep-black sky — a vocabulary that became the gravitational center of every mecha and post-apocalyptic anime that followed.

The Curio package treats Evangelion as cockpit aesthetics: deep-black surfaces interrupted by tech-green readouts, saturated-red-orange alerts, and hot-yellow hazard chevrons. Every screen feels like an EVA console moments before sortie — terse, monospaced, mechanical.

《新世纪福音战士》是 1995 年由庵野秀明在 Gainax 工作室创作的机器人动画，把巨型机甲战斗与存在主义焦虑揉在一起。NERV 司令部的科技绿网格、初号机饱和的橙红色装甲、第三新东京市深沉的夜空——这套视觉语言成为后续所有机甲与末世动画的母体。

这套 Curio 设计包把福音战士当作驾驶舱美学：深黑底色之上跳出科技绿读数、橙红警报和热黄色危险条纹。每一个界面都像出击前几秒的 EVA 终端——克制、等宽、机械化。无论是做仪表盘、专题站，还是末世题材幻灯片，它都能瞬间唤起 1990 年代东京 -3 市那种紧张的科技氛围。