Dune: Part Two renders Arrakis as a wind-scoured ochre desert under burnt, dust-graded orange skies — monumental and ascetic, all vast sand and hot graded light. Against it stands the eerie pure-grayscale infrared world of Harkonnen Giedi Prime.

This design system distills that look into a deep dusk-sand interface: a near-black ground, sharp brutalist edges, monument-scale negative space, and the signature burnt sand-orange as the single warm pulse of life.