Stray (2022) drops you into a sunless cyber-slum modeled on the Kowloon Walled City — dusty alley walls washed in warm amber and pink-orange neon, teal sign-glow reflecting off wet, trash-strewn streets. There is no daylight here, only neon.

This system translates that world into interface: a dark sodium-lit brown ground, dominant warm-amber neon as primary, hot pink and red as supporting glow, and a single cool teal accent — dense, grimy, layered, never clean.