A design system rooted in Clarence Gagnon's pochoir illustrations for the 1933 deluxe Maria Chapdelaine — flat stencil-cut color fields of barn red, smoke-blue mountain shadow, and moss-green pine against snow-bright white. The aesthetic channels early-20th-century Québécois folk narrative: picture-book compositions, hand-set serif typography, and the quiet bite of a Charlevoix winter.
Every surface carries the cool luminosity of snow under overcast sky. Components feel like illustrated story-page panels — warm in spirit but never saccharine, grounded in the regionalist painting tradition of Baie-Saint-Paul.
这套设计系统源自克拉伦斯·加尼翁为1933年豪华版《玛丽亚·夏普德莱恩》所作的54幅波绍尔（pochoir）版画——以谷仓红、烟蓝山影和苔绿松林平涂于雪原亮白之上。视觉语言取自20世纪初魁北克夏尔瓦地区的民间叙事插画传统：图画书式构图、手排衬线字体、以及洛朗蒂德冬日的冷冽气息。
每一个界面都带有阴天雪地的清冷光感。组件如同故事绘本的书页——温暖而不甜腻，扎根于圣保罗湾地区主义绘画的泥土之中。