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Karen Woven Tunic — Cover

About Karen Woven Tunic

The *hse* is the long shift an unmarried Sgaw or Pwo Karen girl wears from childhood until her wedding day: handspun cotton, backstrap-woven, left undyed, and worn entirely without pattern. One uninterrupted field of bright white cloth is the whole statement, and it says something specific across a village.

After marriage the white goes away. In its place comes a banded tunic in morinda red and near-black, its lower half loaded with rows of hard white Job's tears seeds woven straight into the weft. This system takes that structure literally — a long plain field above, dense banding below, and nothing floating in between.

Learn more about the Karen Woven Tunic style

Origin
Karen State (Kayin), Myanmar; Mae Hong Son, Chiang Mai and Tak provinces, northern Thailand
Era
pre-1900, continuously worn into the present
Key figures
Dries Touw · Sgaw and Pwo backstrap weavers (anonymous) · British Museum Dye Detective research team
Movements
Southeast Asian backstrap (body-tension) weaving · Karen dress as marital signal · Job's tears (Coix lacryma-jobi) seed appliqué

Karen Woven Tunic design spec

Colors

Background
Surface
Primary
Secondary
Accent
Text

Typography

PadaukHeadings
ArchivoBody
Noto Sans MonoMono
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