The Otavaleño weavers of highland Imbabura have sustained a backstrap-loom textile economy since before the Inca conquest, producing cochineal-red chamarras and indigo-cobalt warp-stripe anacos that define one of South America's most enduring indigenous visual traditions. This design system channels the mineral-dye saturation of a Manuel Conterón loom at dawn — cochineal warp tensioned, cobalt weft in motion, charcoal selvage framing a single chrome yellow accent band per meter.