Turkish İznik Ceramic distills the most technically perfect Islamic tilework ever fired — 16th-century Ottoman stonepaste painted with cobalt, turquoise, sage, and the inimitable raised Armenian-bole red under a glass-clear tin glaze. Tulips, carnations, hyacinths, and saz-leaf curves bloom in dense, horror-vacui compositions that never wilt.

The system takes that ethos to screen: a warm tin-glaze cream ground, cobalt for authority, Armenian-bole red for singular emphasis, saz-green for accents, and calligraphic cartouches as framing devices. A flat surface should bloom like a garden in May.