The Huli wigman tradition transforms the male body into a living ceremonial canvas — human-hair wigs grown over years in all-male wig schools, crowned with bird-of-paradise plumes, cassowary quills, and parrot feathers, the face painted in red ochre and mineral yellow. This design system channels that documentary-anthropological aesthetic into digital form.

Every token draws from the mineral-pigment palette of Huli body paint: warm red ochre grounds, bone-cream content surfaces, iridescent paradise-bird accents. Typography is bold and austere like ethnographic monograph titling — dignified, never decorative.