Pinball Backglass

The mid-1970s pinball backglass is a sheet of glass screen-printed in reverse, built from six to twelve separate colour layers and lit from behind by bulbs in a darkened arcade. Bally, Gottlieb and Williams artists like Dave Christensen pushed saturation to its limit — flaming oranges and hot reds floating over heavy black outlines and a deep black field.

Psychedelic fantasy and pin-up illustration crowd every inch, framed by score panels and bonus number windows that the machine lights from within. This is a system about glow: flat colour separations, halftone screens, and an unapologetic blaze of warm light against the dark.

上世纪七十年代中期的弹珠机背玻璃，是一块反向丝网印刷的玻璃面板：六到十二层 独立色版叠印而成，背后由灯泡点亮，悬在昏暗街机厅的木质机头里。Bally、Gottlieb、 Williams 的画师——比如 Dave Christensen——把饱和度推到极限，让烈焰般的橙与红 漂浮在厚重的黑色轮廓与深黑底色之上。

迷幻奇幻与海报女郎插画填满每一寸空间，被计分面板与奖励数字窗框住，灯光从内部 透出。这是一套关于「发光」的视觉语言：扁平的分色、半调网点，以及在黑暗中毫不 收敛的暖光燃烧。