José Guadalupe Posada Calavera

José Guadalupe Posada's relief-printed broadsides for the Vanegas Arroyo press defined a visual language of political satire through skeleton figures dressed in bourgeois finery. His calaveras — most famously La Catrina — turned death into democratic commentary on cheap cream-pulp newsprint.

This system channels that vocabulary: heavy black engraving lines on warm yellowed paper, cinnabar red spot-color, condensed Victorian display type, and thick rectilinear borders that evoke the broadside format of 1890s Mexico City print shops.

何塞·瓜达卢佩·波萨达为瓦内加斯·阿罗约出版社创作的浮雕版画传单，以骷髅人物身着资产阶级华服的方式定义了政治讽刺的视觉语言。他的骷髅画——尤其是著名的"卡特琳娜"——在廉价奶油色纸浆新闻纸上将死亡变为民主评论。

本设计系统汲取了那一视觉词汇：温暖泛黄纸张上的粗黑雕刻线条、朱砂红点缀色、维多利亚时代压缩粗体展示字体，以及唤起1890年代墨西哥城印刷作坊传单格式的厚重矩形边框。