What the Skeleton Sees
A manifesto for print in the age of screens
The broadside never lies
Each print carries the unvarnished truth of its moment, set in type and cut in wood.
Cheap paper, lasting argument
Pulp newsprint outlives marble when the image cuts deep enough.
The skull is everyone
No portrait captures universality like a calavera dressed in fine cloth.
Ink before algorithm
Hand-set type resists the flattening that comes with infinite reproduction.