About Iranian Revolution Poster (1979)关于 Iranian Revolution Poster (1979)
The Iranian Revolution poster is collective speech rendered in ink and blood-red pigment. Between 1978 and 1979, anonymous designers and the Howzeh Honari collective silkscreened thousands of broadsides onto Tehran's walls — fierce Nastaliq type slabs, halftone portraits of martyrs, and hard geometric blocks drawn from Soviet constructivism and Cuban OSPAAAL prints alike.
This design system captures that two-year eruption: mineral red as ground, black as voice, newsprint cream as paper. No gradients, no glow — only the flat authority of the screenprint and the wall as loudspeaker.
伊朗革命海报是用油墨与血红颜料凝固的集体呐喊。1978至1979年间，匿名设计师与德黑兰"艺术部"（Howzeh Honari）集体在城墙上丝网印刷了数以千计的政治海报——刚烈的波斯书法字块、烈士的半色调肖像、源自苏联构成主义与古巴革命版画的硬朗几何构图。
本设计系统捕捉了那两年的视觉爆发：矿物血红为底色，纯黑为声音，新闻纸米色为纸张肌理。没有渐变，没有光晕——只有丝网印刷的平面权威，墙壁即扩音器。
The Iranian Revolution Poster (1979) design system traces back to 1978–1979 revolution period; visual language continued through Iran-Iraq War (1980–1988) Tehran, Qom, Mashhad, Isfahan — Iran. Key figures behind it include Ayatollah Khomeini, Reza Abedini, and Howzeh Honari collective. It belongs to the Iranian revolutionary graphic design, Anti-imperialist poster art, and Post-1979 Persian visual identity movements.
Iranian Revolution Poster (1979) 这套设计系统溯源至 1978–1979 revolution period; visual language continued through Iran-Iraq War (1980–1988) 年的伊朗德黑兰、库姆、马什哈德、伊斯法罕。代表人物包括 Ayatollah Khomeini、Reza Abedini、Howzeh Honari collective。所属流派：Iranian revolutionary graphic design、Anti-imperialist poster art、Post-1979 Persian visual identity。