Gallery风格库

Burmese Shan Thanaka (Bark Paste)

ProMax

Thanaka is the most universal daily-worn cosmetic in Myanmar — bark ground on a wet stone slab each morning, brushed as pale yellow-cream paste onto cheeks in round patches and leaf-stencils. This design system channels that ritual: a deep teak-bark dark ground (the source wood before grinding), warm thanaka-cream typography and highlight fields, rose-pink htamein silk accents, and jade-gold pagoda ornament.

The result feels like a Bagan market at noon — sun-warm, soft-textured, organic in shape, generous in breath. Cards take the form of cheek-circle roundels, buttons echo leaf-stencil cartouches, and bark-grain texture anchors every surface. It is handmade, tropical-fresh, and deeply rooted in 2,000 years of Burmese womanhood.

特纳卡是缅甸最普遍的日用妆品——每天清晨将树皮在湿石板上研磨,把淡黄奶油色的膏体涂抹在脸颊上,画出圆斑或树叶纹样。这套设计体系从这一仪式出发:以深柚木树皮色为暗底(研磨前的原木),特纳卡奶油色为文字与高光,配以玫瑰粉的缅甸筒裙丝绸点缀和翡翠金塔装饰。

整体气质如同蒲甘正午的集市——日光温暖、质地柔润、形态有机、呼吸感充足。卡片取自脸颊圆斑造型,按钮呼应树叶模板轮廓,树皮纹理贯穿每一个表面。手工、热带清新,扎根于两千年缅甸女性传统。

Learn more about the Burmese Shan Thanaka (Bark Paste) style →深入了解 Burmese Shan Thanaka (Bark Paste) 风格 →

  • Origin来源Myanmar (nationwide — Bamar, Shan, Mon, Rakhine, Karen); Thailand-Shan border缅甸(全国——巴马、掸族、孟族、若开、克伦);泰掸边境
  • Period年代2,000+ years (Pyu/Mon court records ~100 CE; Bagan murals 11th c.; continuous to present)
  • Designer代表人物Maung Htin Aung · Donald M. Stadtner · Khin Myo Chit
  • Movements所属运动Burmese daily cosmetic tradition · Shan / Tai-Yai parallel practice · regional Bamar cultural identity

Web examples网页示例

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Slide examples幻灯片示例

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