The Raohe night market neon system captures the electric verticality of Taipei's stall corridors — stacked red tube signs bleeding onto wet black asphalt, cobalt pharmacy placards humming beside acid-yellow number tiles. It is the visual grammar of family-run stalls from the 1980s economic miracle, preserved through a contemporary design lens.

This is not the sanitized night market of tourism brochures. It is Edward Yang's rain-slicked Songshan at 9pm: saturated, layered, and read top-to-bottom like the sign towers themselves.