This design system draws from Sri Lanka's twin ceremonial arts: the silver-headdressed Kandyan dancers of the Esala Perahera and the grimacing lacquer masks carved in Ambalangoda workshops. Ruby reds, jungle emeralds, and antique silver layer over kaduru-wood black grounds like a museum vitrine lit by torchlight.
Every surface evokes carved lacquer and oxidized silver foil — formal, jewel-rich, and unapologetically ornamental. The system is built for narrative interfaces that demand the gravity of ritual theatre.
本设计体系源自斯里兰卡两大仪式艺术：康提佛牙节游行中银冠高耸的舞者，以及安巴兰戈达工坊里龇牙咧嘴的漆面木雕面具。宝石红、丛林翠与古银箔层叠于卡杜鲁黑木底色之上，宛如科伦坡国家博物馆展柜在火炬光中的一瞥。
每一个界面表面都唤起漆器光泽与氧化银箔的质感——庄重、珠光宝气、毫不掩饰的装饰性。适用于需要仪式剧场般分量感的叙事型界面。