Mono-ha (Lee Ufan, 1968)

Mono-ha stripped art back to the encounter between unaltered matter and the space it occupies. A boulder resting on a glass plate, timber leaning against a gallery wall — interventions so quiet they feel like observations. This design system channels that restraint: river-stone surfaces, steel-gray accents, and vast emptied space where a single element can breathe.

The palette is the palette of things themselves — concrete gray, earth brown, the off-white of uncoated glass. Typography is contemplative and slow, set small in Cormorant Garamond with generous vertical rhythm. Every layout is a composition: one object, placed with intent, surrounded by ma.

物派（もの派）将艺术还原为未加工物质与空间的相遇——一块河石搁在玻璃板上，一根木材斜靠展厅墙壁，干预之轻近乎纯粹的观看。这套设计系统承袭那份克制：河石色调的表面、钢灰色的强调、大面积留白，让单一元素在「间」中呼吸。

色板来自事物本身——混凝土灰、泥土棕、未镀膜玻璃的素白。排版沿用 Cormorant Garamond 的沉思节奏，字号偏小，行距舒展。每一版面都是一幅构图：一件物，有意放置，四周是广袤的空。