Anni Albers transformed the loom into a design medium as rigorous as any Bauhaus drafting table. Her woven compositions — modular grids of rust, mustard, indigo, and linen — proved that textile could carry the same formal ambition as architecture or painting.

This system translates her warp-and-weft logic into digital interfaces: tight rectilinear grids, earthy-saturated color blocks, visible material texture, and the quiet rhythm of thread meeting thread.