Nuristani wooden effigies are the last polytheistic sculpture tradition of the Hindu Kush — ancestor figures carved from single cedar logs by Kati, Kom, and Kalash peoples, mounted at terraced gravesites across ridges that were Kafiristan until 1895. This design system translates their silvered cedar grain, cubic abstracted faces, quartz-inlaid eyes, and deep mountain-shadow palette into a digital language that is austere, monolithic, and grave-marker serious.