Cree syllabics were devised by the missionary James Evans around 1840 at Norway House, a geometric abugida in which a glyph's rotation sets the vowel — triangles, V-shapes, curves and hooks pointing in four directions. The reference surface is a 19th-century hymn and prayer book printed in carbon black with red rubricated headings on aged newsprint-grey rag paper, the lead type once cast from tea-chest lining.

This system keeps that plain letterpress discipline. Carbon-black body text runs in ruled columns, red is reserved strictly for rubricated headings and initials, and the rotation logic of the glyphs stays legible and unornamented. Nothing is decorative; everything serves the page.