Chapter II · Plumage & Pigment
Plate 04 / 12
Section title

Reading a bird by its colour alone

i. Crimson tells you the male was singing.

Saturation in the cardinal's mantle deepens through the breeding spring, then dulls by August — pigment is a dated record, not a costume.

No. I Cardinalis

ii. Slate is the warbler's working clothes.

Grey-blue dorsals hold the bird against bark and shadow; bright colour is a luxury, drabness is a survival decision drawn in pigment.

No. II Dendroica

iii. Olive-yellow is rarely an adult.

Juvenile and female plumage runs warmer and quieter — confusing in the field, but the engraver's wash records the truth a name cannot.

No. III Setophaga

iv. Black is the engraver's, not the bird's.

The mask, the eye-line, the rictal bristle — these are the engraver's deepest cuts, struck below the wash and immune to two centuries of fading.

No. IV Halberd, sc.
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