1
Every entrance names a suspect
The first frame makes power visible before the room pretends it is neutral.
The Stage Accuses
2
Red cuts through polite speech
Primary actions arrive as verdicts, not invitations, with no softened corners.
3
The grid limps on purpose
Panels stay measured while diagonal pressure keeps the whole slide uneasy.
4
Nothing decorative gets acquitted
Ornaments must carry threat, rhythm, or evidence, then leave the stage.