No façade, no entrance, no preferred elevation. The same square repeats until the question of importance dissolves into geometry.
Mountain, coastline, Manhattan — the grid passes through each at the same hairline weight, untouched, unromantic, indifferent.
One cell equals one decision; a thousand cells equals a century of decisions that all look exactly alike. Continuity replaces narrative.
The monument is too uniform to be useful and too vast to be ignored. Its only function is to keep asking what architecture is for.